1
00:00:02,133 --> 00:00:04,133
這不是 AI 生成的影片

2
00:00:04,233 --> 00:00:06,933
是真實新宿歌舞伎町的記錄

3
00:00:07,366 --> 00:00:08,233
在日劇裡

4
00:00:08,333 --> 00:00:10,100
他們拒絕成為大人

5
00:00:10,266 --> 00:00:11,800
他們不想回家

6
00:00:11,933 --> 00:00:13,333
但又害怕孤獨

7
00:00:13,666 --> 00:00:14,733
對他們而言

8
00:00:14,966 --> 00:00:16,833
家比街頭荒涼

9
00:00:16,966 --> 00:00:19,200
街頭反而有家的溫暖

10
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在現實裡

11
00:00:20,700 --> 00:00:22,733
他們是日本治安的漏洞

12
00:00:23,000 --> 00:00:24,933
種種脫序的違法行為

13
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衝擊了觀光客對日本的良好形象

14
00:00:27,833 --> 00:00:29,966
當現實只剩虛無的絕望

15
00:00:29,966 --> 00:00:32,633
孩子們只能把抖音當成避難所

16
00:00:32,733 --> 00:00:35,200
他們是日本逐漸崩壞的見證者

17
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哈囉各位變態大家好

18
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你曾經有過

19
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拯救失學少女的夢想

20
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成為神待少女心中永遠的神嗎

21
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讓我來講個故事吧

22
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2019 年日本埼玉縣警方

23
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瞄準一名名為阪上裕明的嫌疑男子

24
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他在網路上看到有

25
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未成年 JK

26
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說自己想要離家出走

27
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他就主動聯絡少女說

28
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來埼玉吧

29
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只要好好唸書

30
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叔叔會好好照顧你們

31
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雖然阪上裕明和女孩說

32
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只要好好唸書就好

33
00:01:31,766 --> 00:01:33,466
但警察當然不相信

34
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為了拯救兩名被誘拐的神待少女

35
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警察踹破房門

36
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結果映入眼簾的

37
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不是謎片裡的劇情

38
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而是兩位未成年少女正在

39
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努力唸書

40
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根據媒體報導

41
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這兩位女生過得超好

42
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有自己的獨立房間

43
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有 WIFI

44
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有零用錢

45
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三餐有人煮

46
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有手機可以用

47
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可以自由出入

48
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必須要定期和家人聯絡

49
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讓家人安心

50
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哇靠

51
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過得比我好

52
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這位阪上裕明

53
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只要求一件事

54
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好好唸書

55
00:02:01,933 --> 00:02:05,933
因為他想要把這些離家出走的神待少女

56
00:02:05,933 --> 00:02:08,666
變成他仲介公司的房產專員

57
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就這樣養成了兩個多月

58
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直到他被捕

59
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當然這個荒謬又溫馨的故事

60
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只是少數的例子

61
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大部分離家出走的日本青少年

62
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都是流落街頭

63
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有一餐沒一餐的

64
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這也是今天的主題

65
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也就是我們在開頭看到

66
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舌頭變成藍色的

67
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TOYOKO KIDS

68
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為什麼這些東橫少年要離家出走

69
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他們背後又有什麼心酸的故事

70
00:02:50,115 --> 00:02:52,382
隨著日本經濟持續下滑

71
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社會安全網逐漸崩壞

72
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神待少女

73
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已經不再期待神的降臨

74
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而是進化成東橫少女

75
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所謂的東橫KIDS

76
00:03:01,749 --> 00:03:04,382
不是住在東橫飯店的孩子

77
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這個 TOYOKO 指的是知名地標

78
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新宿東寶大樓

79
00:03:09,482 --> 00:03:11,482
就是有哥吉拉頭像的那棟大樓

80
00:03:11,482 --> 00:03:13,015
或者是你有玩人中之龍

81
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裡面的劇場前廣場

82
00:03:14,982 --> 00:03:17,049
東寶大樓的哥吉拉頭像

83
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彷彿對這些孩子發出召喚

84
00:03:19,482 --> 00:03:21,015
這群因為貧窮

85
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家暴

86
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校園霸凌

87
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無處可去的人

88
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透過網路知道

89
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原來在新宿

90
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有一群和我一樣慘的人

91
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為了尋找心靈的庇護所

92
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他們不約而同

93
00:03:31,749 --> 00:03:33,582
聚集到了哥吉拉腳下

94
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這裡有東西可以吃

95
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有新朋友可以認識

96
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更重要的是

97
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這裡

98
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還有歸屬感

99
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東橫少年其實是外人給他們的名字

100
00:04:14,682 --> 00:04:16,982
他們通常稱自己是東橫圈

101
00:04:16,982 --> 00:04:18,315
トー横界隈

102
00:04:18,315 --> 00:04:19,682
世界上有各種圈

103
00:04:19,682 --> 00:04:20,282
C 圈

104
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YT 圈

105
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愛的魔力轉圈圈

106
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只要有人的地方

107
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就會有江湖

108
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只要有圈的地方

109
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就會有混亂

110
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既然是東橫圈 就有

111
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貴圈真亂

112
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在東橫圈的知名網紅 小雪喵

113
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在 YOUTUBE 上有很多

114
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尺度很大的街頭訪問

115
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從中我們可以看到

116
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東橫少女

117
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和東橫少年

118
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複雜的人際關係

119
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感覺每個人

120
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都是百人斬啊

121
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貴圈真亂

122
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真的不行

123
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必須譴責

124
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道德在哪

125
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底線在哪

126
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加入東橫圈的連結又在哪裡

127
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我覺得東橫圈

128
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讓我想起一個符號

129
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槍與玫瑰

130
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有玩過人中之龍的人都知道

131
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遊戲裡的內容都是真的

132
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街上是醉生夢死的霓虹

133
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街角卻是暗流湧動的交鋒

134
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在黑道的眼裡

135
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這群聚集在街頭的東橫孩子

136
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代表的是龐大的商業利益

137
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東橫少女可以去做爸爸活

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或是仙人跳

139
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而東橫少年

140
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則是最好用的打手來源

141
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女人

142
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金錢

143
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暴力

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是歌舞伎町的底層邏輯

145
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槍與玫瑰

146
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不只代表暴力

147
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與肉體的獻祭

148
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也是東橫少年們

149
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對於情感的渴望

150
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以及對體制的叛逆

151
00:05:46,515 --> 00:05:48,282
可惜玫瑰早已枯零

152
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唯一能瞄準的

153
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也只剩下

154
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繁華的幻影

155
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我們每個人活著

156
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誰敢說自己沒受傷過

157
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對於東橫少年來說 這些傷痕

158
00:06:16,315 --> 00:06:17,882
以另一種方式來呈現

159
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他們在抖音上

160
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展示自己的藍色舌頭

161
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這不只是單純的藥物成癮

162
00:06:24,215 --> 00:06:25,515
更像是一種儀式

163
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他們透過藍色舌頭這個符號

164
00:06:28,149 --> 00:06:29,649
在茫茫人海中

165
00:06:29,815 --> 00:06:30,849
傳達一個訊號

166
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原來你和我一樣

167
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我們都受過傷

168
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我們都是壞掉的人

169
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對於東橫少年來說

170
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這個世界 才是最有問題的

171
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這種病態的共鳴與歸屬感

172
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才是讓他們深陷其中

173
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無法離開東橫的真正原因

174
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藥物需要錢

175
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生活也需要錢

176
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離家出走的孩子們

177
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哪裡來的錢

178
00:07:16,915 --> 00:07:19,949
這就衍生出東橫最黑暗的產業鏈

179
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從東寶大樓

180
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走路到新大久保公園

181
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只要 5 分鐘

182
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相信各位紳士

183
00:07:26,182 --> 00:07:28,115
都知道新大久保公園的

184
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立ちんぼ

185
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其中很多

186
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都是東橫地雷妹

187
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東橫地雷妹的特色

188
00:07:32,549 --> 00:07:35,582
就是缺乏愛自己的能力

189
00:07:35,615 --> 00:07:38,249
只能透過賣身 去供養牛郎

190
00:07:38,249 --> 00:07:40,515
她就覺得你看我這麼愛你 我去賣身

191
00:07:40,515 --> 00:07:42,649
透過這種畸形的付出

192
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她們才可以體驗到愛

193
00:08:10,982 --> 00:08:12,882
就算沒有去牛郎店消費

194
00:08:12,882 --> 00:08:14,715
很多東橫少女 為了吃飯

195
00:08:14,715 --> 00:08:16,682
或是付網咖的過夜費

196
00:08:16,682 --> 00:08:18,782
買藥的錢讓舌頭變藍色

197
00:08:18,782 --> 00:08:20,682
就必須透過爸爸活

198
00:08:20,682 --> 00:08:22,782
來賺取最低限度的生活費

199
00:08:22,782 --> 00:08:25,715
但是這種沒有透過GTO的個體戶

200
00:08:25,715 --> 00:08:26,915
其實都有生病

201
00:08:26,915 --> 00:08:28,315
或是被毆打的風險

202
00:08:28,315 --> 00:08:28,915
爸爸活

203
00:08:28,915 --> 00:08:30,782
還要賣身體才能賺錢

204
00:08:31,215 --> 00:08:32,315
如果我們

205
00:08:32,315 --> 00:08:34,382
針對爸爸活的客人來狩獵

206
00:08:34,382 --> 00:08:35,882
這樣不是更好賺嗎

207
00:08:35,882 --> 00:08:37,715
這種仙人跳的日文是

208
00:08:37,715 --> 00:08:38,749
パパ活狩り

209
00:08:38,749 --> 00:08:39,815
爸爸活狩獵

210
00:08:39,815 --> 00:08:41,949
東橫少女透過交友軟體

211
00:08:42,115 --> 00:08:44,315
約小嫖蟲出來開房間

212
00:08:44,315 --> 00:08:47,749
特別是那些 想對未成年下手的男人

213
00:08:47,749 --> 00:08:48,882
只要小嫖蟲

214
00:08:48,882 --> 00:08:50,315
進入他們設計的陷阱

215
00:08:50,315 --> 00:08:51,715
埋伏好的東橫少年

216
00:08:51,715 --> 00:08:52,749
就會衝出來

217
00:08:52,782 --> 00:08:53,882
一陣暴打

218
00:08:53,915 --> 00:08:56,549
然後洗劫嫖蟲身上的財物

219
00:08:56,549 --> 00:08:58,649
因為這些嫖蟲心裡有鬼

220
00:08:58,682 --> 00:08:59,882
就算被搶了

221
00:08:59,882 --> 00:09:01,349
也不知道怎麼跟警察

222
00:09:01,349 --> 00:09:01,915
蕉代

223
00:09:01,915 --> 00:09:05,349
東橫少年 把這種行為視為狩獵遊戲

224
00:09:05,415 --> 00:09:07,882
但這已經不是 單純的小孩惡作劇

225
00:09:07,882 --> 00:09:09,615
而是有組織的暴力犯罪

226
00:09:09,615 --> 00:09:11,615
他們不只對嫖蟲仙人跳

227
00:09:11,615 --> 00:09:14,115
有時也只是純粹覺得好玩 無聊

228
00:09:14,115 --> 00:09:17,615
就毆打在新宿 和他們一樣可憐

229
00:09:17,615 --> 00:09:19,949
一樣無家可歸的遊民

230
00:09:19,949 --> 00:09:22,582
而這種失控的暴力氛圍

231
00:09:22,582 --> 00:09:25,315
最終釀成了無法挽回的悲劇

232
00:09:25,315 --> 00:09:27,815
直接讓遊民 登出上天堂

233
00:09:27,815 --> 00:09:30,215
日本社會 原本對他們看法是同情

234
00:09:30,215 --> 00:09:34,282
但因為這些事情 從同情轉為恐懼

235
00:09:34,282 --> 00:09:36,949
另外 這些東橫孩子的心裡問題

236
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以及藥物濫用

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也引發了幾起小飛俠案件

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讓政府不得不重視

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要怎麼好好處理這些東橫小孩

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所以日本政府在 2022 年底

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開始大動作 封鎖廣場 加強巡邏

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一開始政府 是用輔導的形式

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輔導這個字

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聽起來很溫柔

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但實際做法

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警察出去

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出示證件

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看是不是未成年

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如果要輔導

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先帶回派出所

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等父母來把他們接回去

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但很多東橫小孩

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就是因為被家暴才流落街頭

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你又把他放回去

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不是就把受害者

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親手交回加害者手上

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假如父母沒有來領 更可怕

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會送到兒童相談所 也就是保護所

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那就和輔導一樣

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警察沒有要輔導

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兒童相談所

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也沒有要和孩子相談

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他們第一件事

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沒收手機

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聊天大聲一點 就進來罵人 不能聊天

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所以住過的小孩都說 這裡好像監獄

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我不如回家 被爸媽打還比較好

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至少我手機可以用

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可以發抖音

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難道這就是政府

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讓孩子回家的暗黑兵法

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這招真的高啊

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所以在公權力的強力輔導下

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原本聚集在東寶大樓的小孩變少

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但他們不是回家

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而是轉移到更隱密

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沒有大人的暗巷裡

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或是流竄到各城市

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因為他們

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不想再被抓到兒童相談所

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他們也不想回家

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只要家庭 還有校園的問題沒解決

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你把廣場封起來 把小孩抓起來

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其實也只是把眼睛遮住

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假裝什麼事情 都沒有發生

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不過在 2024 年 日本政府

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在站街女郎聖地

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東京都健康廣場 Hygeia

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的15樓

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開設了kimimamo諮詢空間

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這一次 不是把小孩關起來 沒收手機

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而是真實地 去聆聽孩子們的心聲

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如果你失戀了 如果你沉迷牛郎店

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或是你朋友借錢都不還

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無論你想問什麼 社工都會聽你說

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而且這裡有漫畫 有桌遊

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還可以化妝 可以弄頭髮

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還有泡麵可以吃

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各位可以想像一下

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當你很餓的時候

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你流落街頭很餓

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吃到一碗泡麵

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那種溫熱的感覺

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那心情可以多放鬆

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在這種可以放鬆的空間

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孩子們 才覺得自己真正被理解

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所以成效非常的好

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甚至要發放號碼牌

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不能讓小孩一次跑進來

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日本政府也緊急 擴大了這個辦公室

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這個辦公室在同一個地方也就是

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站街女郎聖地

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東京都健康廣場Hygeia

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從15樓搬到17樓

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這代表 過去政府的手段是有問題的

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你把小孩關在

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像監獄一樣的保護所

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真的是保護嗎

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KIMI-MAMO 的成功代表什麼

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我們原本以為 這些孩子不受教

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不願意接受輔導

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但原來他們的求救訊號

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是這麼強烈

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雖然這個服務很成功

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但不是慶祝時候

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我們要去思考

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這背後的問題有多嚴重

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神待少女越來越多

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東橫少年越來越瘋

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在疫情後日本遭受 失業 通膨

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人民的日子 過得越來越苦

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年輕人不只是 精神上的躺平

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而是直接在新宿街頭 物理上的躺平

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如果你有看我影片就知道

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我小時候也是住在機構裡

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我不是正常家庭長大的

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所以當我寫著這些腳本 很有共鳴

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但我運氣算很好 我沒有流落街頭

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如果你問我 小時候是怎麼撐過來

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我只能說

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一言難盡

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但我最後學到 要把命運當成演算法

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當網紅那麼久我了解到

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演算法其實是 無法控制的

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你只能順應它

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而且更重要的是

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就算命運 處處與你作對

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演算法不青睞你的影片

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不把影片 推給你的粉絲

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但不代表你的影片不好

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也不代表 你是一個不好的人

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在交友軟體也是一樣

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我當了九年的情感教練

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我看過很多兄弟 把女生對他的反應

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當成是他個人 男人價值的KPI指標

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女生反應好 他就自信爆棚

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女生已讀不回 他就覺得自己是廢物

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而演算法思維 就是要知道

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我們無法控制命運 也無法控制演算法

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00:14:12,515 --> 00:14:14,415
但我們可以控制自己

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00:14:14,549 --> 00:14:15,915
這是我最新的產品

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00:14:16,149 --> 00:14:17,882
魅力演算法想要傳達的

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控制我們能控制的

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00:14:19,882 --> 00:14:22,615
至於我們無法控制的 就交給命運

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或者說

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交給演算法

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00:14:25,315 --> 00:14:27,982
而這種心態 就是魅力演算法

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00:14:28,082 --> 00:14:29,682
這是我個人成長經歷

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00:14:29,682 --> 00:14:33,815
之後的影片 會介紹更多少年少女故事

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00:14:33,815 --> 00:14:36,349
喜歡的話 不要忘記按讚訂閱

371
00:14:36,815 --> 00:14:38,682
打開小鈴鐺 熱推一波

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你的支持 是我最大的鼓勵

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感謝大家